“What’s the matter?” said he, seizing Gania’s hand.
“She’s mad surely, isn’t she?” the general appealed to Totski.
The trip abroad might have been enjoyed later on by Mrs. Epanchin and her two remaining daughters, but for another circumstance.
| “Let it to me,” said the prince. |
| “Well--it’s all most strange to me. That is--my dear fellow, it is such a surprise--such a blow--that... You see, it is not your financial position (though I should not object if you were a bit richer)--I am thinking of my daughter’s happiness, of course, and the thing is--are you able to give her the happiness she deserves? And then--is all this a joke on her part, or is she in earnest? I don’t mean on your side, but on hers.” |
| “Wonderful!” said Gania. “And he knows it too,” he added, with a sarcastic smile. |
| There are certain people of whom it is difficult to say anything which will at once throw them into relief--in other words, describe them graphically in their typical characteristics. These are they who are generally known as “commonplace people,” and this class comprises, of course, the immense majority of mankind. Authors, as a rule, attempt to select and portray types rarely met with in their entirety, but these types are nevertheless more real than real life itself. |
Gania’s voice was full of the most uncontrolled and uncontrollable irritation.
“You found it? Thank God for that!”
“Gavrila Ardalionovitch showed the general her portrait just now.”
Evgenie Pavlovitch’s friend asked the prince some question, but the latter did not reply, or if he did, he muttered something so strangely indistinct that there was nothing to be made of it. The officer stared intently at him, then glanced at Evgenie, divined why the latter had introduced him, and gave his undivided attention to Aglaya again. Only Evgenie Pavlovitch observed that Aglaya flushed up for a moment at this.
“Hippolyte Terentieff,” cried the last-named, in a shrill voice.
“Because you are a humbug, sir; and thought fit to worry people for half an hour, and tried to frighten them into believing that you would shoot yourself with your little empty pistol, pirouetting about and playing at suicide! I gave you hospitality, you have fattened on it, your cough has left you, and you repay all this--”
“Scolding as usual, Varia! It is the worst thing about her. After all, I believe father may have started off with Rogojin. No doubt he is sorry now. Perhaps I had better go and see what he is doing,” added Colia, running off.
| “What are you up to? Where are you off to? You’ve nowhere to go to, you know,” cried Gania, out of the window. |
As he spoke his last words he had risen suddenly from his seat with a wave of his arm, and there was a general cry of horror.
The explanation was finished; Hippolyte paused at last.
“At the table stood a man in his shirt sleeves; he had thrown off his coat; it lay upon the bed; and he was unfolding a blue paper parcel in which were a couple of pounds of bread, and some little sausages.
| All present watched both of them with curiosity. |
Besides tea and coffee, cheese, honey, butter, pan-cakes of various kinds (the lady of the house loved these best), cutlets, and so on, there was generally strong beef soup, and other substantial delicacies.
“Aglaya Ivanovna...” began Lebedeff, promptly.
To the amazement of the prince, who overheard the remark, Aglaya looked haughtily and inquiringly at the questioner, as though she would give him to know, once for all, that there could be no talk between them about the ‘poor knight,’ and that she did not understand his question.
“And--and you won’t _laugh_ at him? That’s the chief thing.”
| “Just as though you didn’t know! Why, she ran away from me, and went to you. You admitted it yourself, just now.” |
“Ah! Well, if it was Rogojin--but do you know what she writes to me about?”
“You see, I am going into the country myself in three days, with my children and belongings. The little one is delicate; she needs change of air; and during our absence this house will be done up. I am going to Pavlofsk.”
She turned round so suddenly that one might have supposed a needle had been stuck into her.
In the first place he began about some letter; the name of Aglaya Ivanovna came in. Then suddenly he broke off and began to accuse the prince of something; he was apparently offended with him. At first he declared that the prince had trusted him with his confidences as to “a certain person” (Nastasia Philipovna), but that of late his friendship had been thrust back into his bosom, and his innocent question as to “approaching family changes” had been curtly put aside, which Lebedeff declared, with tipsy tears, he could not bear; especially as he knew so much already both from Rogojin and Nastasia Philipovna and her friend, and from Varvara Ardalionovna, and even from Aglaya Ivanovna, through his daughter Vera. “And who told Lizabetha Prokofievna something in secret, by letter? Who told her all about the movements of a certain person called Nastasia Philipovna? Who was the anonymous person, eh? Tell me!”
“No, I have forgotten nothing. Come! This is the house--up this magnificent staircase. I am surprised not to see the porter, but .... it is a holiday... and the man has gone off... Drunken fool! Why have they not got rid of him? Sokolovitch owes all the happiness he has had in the service and in his private life to me, and me alone, but... here we are.”
This was odd of Lizabetha Prokofievna and her daughters. They had themselves decided that it would be better if the prince did not talk all the evening. Yet seeing him sitting silent and alone, but perfectly happy, they had been on the point of exerting themselves to draw him into one of the groups of talkers around the room. Now that he was in the midst of a talk they became more than ever anxious and perturbed.
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
| “Had you not better light a candle?” said Muishkin. |
“Delighted, I’m sure,” said Aglaya; “I am acquainted with Varvara Ardalionovna and Nina Alexandrovna.” She was trying hard to restrain herself from laughing.
“‘I’ll do it--I’ll do it, of course!’ he said. ‘I shall attack my uncle about it tomorrow morning, and I’m very glad you told me the story. But how was it that you thought of coming to me about it, Terentieff?’
| “I have observed,” said the prince, “that he seems to be an object of very singular interest to you, Evgenie Pavlovitch. Why is it?” |
There were rumours current as to Gania, too; but circumstances soon contradicted these. He had fallen seriously ill, and his illness precluded his appearance in society, and even at business, for over a month. As soon as he had recovered, however, he threw up his situation in the public company under General Epanchin’s direction, for some unknown reason, and the post was given to another. He never went near the Epanchins’ house at all, and was exceedingly irritable and depressed.
“We have evidence. In the first place, his mysterious disappearance at seven o’clock, or even earlier.”
| The prince tried to speak, but could not form his words; a great weight seemed to lie upon his breast and suffocate him. |
“I did not rise from my bed, and I don’t know how long I lay with my eyes open, thinking. I don’t know what I thought about, nor how I fell asleep or became insensible; but I awoke next morning after nine o’clock when they knocked at my door. My general orders are that if I don’t open the door and call, by nine o’clock, Matreona is to come and bring my tea. When I now opened the door to her, the thought suddenly struck me--how could he have come in, since the door was locked? I made inquiries and found that Rogojin himself could not possibly have come in, because all our doors were locked for the night.
“Then don’t speak at all. Sit still and don’t talk.”
| “Where’s your luggage?” he asked, as he led the prince away to his room. |
“Mother,” said Rogojin, kissing her hand, “here is my great friend, Prince Muishkin; we have exchanged crosses; he was like a real brother to me at Moscow at one time, and did a great deal for me. Bless him, mother, as you would bless your own son. Wait a moment, let me arrange your hands for you.”
| Nastasia Philipovna looked surprised, and smiled, but evidently concealed something beneath her smile and with some confusion and a glance at Gania she left the room. |
“Was it not you, then, who sent a letter a year or less ago--from Switzerland, I think it was--to Elizabetha Prokofievna (Mrs. Epanchin)?”