We said at the beginning of our story, that the Epanchins were liked and esteemed by their neighbours. In spite of his humble origin, Ivan Fedorovitch himself was received everywhere with respect. He deserved this, partly on account of his wealth and position, partly because, though limited, he was really a very good fellow. But a certain limitation of mind seems to be an indispensable asset, if not to all public personages, at least to all serious financiers. Added to this, his manner was modest and unassuming; he knew when to be silent, yet never allowed himself to be trampled upon. Also--and this was more important than all--he had the advantage of being under exalted patronage.
Nina Alexandrovna--seeing his sincerity of feeling--said at last, and without the faintest suspicion of reproach in her voice: “Come, come--don’t cry! God will forgive you!”

“Oh--well, look here, if I have some time to wait, would you mind telling me, is there any place about where I could have a smoke? I have my pipe and tobacco with me.”

“How did you come here?” she asked, at last.
“Not a bit of it; it was a duel to the death, and he was killed.”
“Who, in the name of what Law, would think of disputing my full personal right over the fortnight of life left to me? What jurisdiction can be brought to bear upon the case? Who would wish me, not only to be sentenced, but to endure the sentence to the end? Surely there exists no man who would wish such a thing--why should anyone desire it? For the sake of morality? Well, I can understand that if I were to make an attempt upon my own life while in the enjoyment of full health and vigour--my life which might have been ‘useful,’ etc., etc.--morality might reproach me, according to the old routine, for disposing of my life without permission--or whatever its tenet may be. But now, _now_, when my sentence is out and my days numbered! How can morality have need of my last breaths, and why should I die listening to the consolations offered by the prince, who, without doubt, would not omit to demonstrate that death is actually a benefactor to me? (Christians like him always end up with that--it is their pet theory.) And what do they want with their ridiculous ‘Pavlofsk trees’? To sweeten my last hours? Cannot they understand that the more I forget myself, the more I let myself become attached to these last illusions of life and love, by means of which they try to hide from me Meyer’s wall, and all that is so plainly written on it--the more unhappy they make me? What is the use of all your nature to me--all your parks and trees, your sunsets and sunrises, your blue skies and your self-satisfied faces--when all this wealth of beauty and happiness begins with the fact that it accounts me--only me--one too many! What is the good of all this beauty and glory to me, when every second, every moment, I cannot but be aware that this little fly which buzzes around my head in the sun’s rays--even this little fly is a sharer and participator in all the glory of the universe, and knows its place and is happy in it;--while I--only I, am an outcast, and have been blind to the fact hitherto, thanks to my simplicity! Oh! I know well how the prince and others would like me, instead of indulging in all these wicked words of my own, to sing, to the glory and triumph of morality, that well-known verse of Gilbert’s:
The door was shut with these words, and the old woman disappeared. The prince decided to come back within an hour. Passing out of the house, he met the porter.
“What? Impossible! To Nastasia Philipovna? Nonsense!” cried the prince.
“Oh, but I know nothing about painting. It seems to me one only has to look, and paint what one sees.”

“Of course, naturally. The bridegroom is an impossible and ridiculous one. I mean, has _she_ given her formal consent?”

There was no need to repeat that she was serious. The general, like all drunkards, was extremely emotional and easily touched by recollections of his better days. He rose and walked quietly to the door, so meekly that Mrs. Epanchin was instantly sorry for him.

“I did not feel much remorse either then or afterwards; but I would not repeat the performance--believe it or not as you please. There--that’s all.”
“Mamma!” cried Alexandra, significantly.

“I like you too, Colia.”

“Prince Lef Nicolaievitch Muishkin,” replied the latter, with perfect readiness.

“I am rather young-looking, I know; but I am actually older than I appear to be. I was ten or eleven in the year 1812. I don’t know my age exactly, but it has always been a weakness of mine to make it out less than it really is.”

“But he interested me too much, and all that day I was under the influence of strange thoughts connected with him, and I determined to return his visit the next day.
We may mention that Gania was no longer mentioned in the Epanchin household any more than the prince was; but that a certain circumstance in connection with the fatal evening at Nastasia’s house became known to the general, and, in fact, to all the family the very next day. This fact was that Gania had come home that night, but had refused to go to bed. He had awaited the prince’s return from Ekaterinhof with feverish impatience. “Come, come! the less _you_ say about it the better--to judge from all I have heard about you!” replied Mrs. Epanchin.
“Sometimes it was very painful to me, and once he caught me with tears in my eyes. He looked at me kindly. ‘You are sorry for me,’ he said, ‘you, my child, and perhaps one other child--my son, the King of Rome--may grieve for me. All the rest hate me; and my brothers are the first to betray me in misfortune.’ I sobbed and threw myself into his arms. He could not resist me--he burst into tears, and our tears mingled as we folded each other in a close embrace.

“Are you going there for some particular reason, or only as a way of getting into her society, and that of her friends?”

“She ought to be whipped--that’s the only way to deal with creatures like that--she ought to be whipped!”

Then seeing that Radomski was laughing, he began to laugh himself, nudged Colia, who was sitting beside him, with his elbow, and again asked what time it was. He even pulled Colia’s silver watch out of his hand, and looked at it eagerly. Then, as if he had forgotten everything, he stretched himself out on the sofa, put his hands behind his head, and looked up at the sky. After a minute or two he got up and came back to the table to listen to Lebedeff’s outpourings, as the latter passionately commentated on Evgenie Pavlovitch’s paradox.

“I did not come to marry at all,” replied the prince.
“I should think it would be very foolish indeed, unless it happened to come in appropriately.”

Lizabetha Prokofievna suddenly flared up.

For some time the prince wandered about without aim or object. He did not know the town well. He stopped to look about him on bridges, at street corners. He entered a confectioner’s shop to rest, once. He was in a state of nervous excitement and perturbation; he noticed nothing and no one; and he felt a craving for solitude, to be alone with his thoughts and his emotions, and to give himself up to them passively. He loathed the idea of trying to answer the questions that would rise up in his heart and mind. “I am not to blame for all this,” he thought to himself, half unconsciously.

Gania had begun to frown, and probably Varia added this last sentence in order to probe his thought. However, at this moment, the noise began again upstairs.

Evgenie Pavlovitch gazed at him in real surprise, and this time his expression of face had no mockery in it whatever.

“Of course; you can’t go in _there_ with it on, anyhow.”
Among all the incidents of the day, one recurred to his mind to the exclusion of the rest; although now that his self-control was regained, and he was no longer under the influence of a nightmare, he was able to think of it calmly. It concerned the knife on Rogojin’s table. “Why should not Rogojin have as many knives on his table as he chooses?” thought the prince, wondering at his suspicions, as he had done when he found himself looking into the cutler’s window. “What could it have to do with me?” he said to himself again, and stopped as if rooted to the ground by a kind of paralysis of limb such as attacks people under the stress of some humiliating recollection.

“Was it not you, then, who sent a letter a year or less ago--from Switzerland, I think it was--to Elizabetha Prokofievna (Mrs. Epanchin)?”

“No one ever tormented you on the subject,” murmured Adelaida, aghast.
“I am only repeating your own exclamation!” said Colia. “A month ago you were turning over the pages of your Don Quixote, and suddenly called out ‘there is nothing better than the poor knight.’ I don’t know whom you were referring to, of course, whether to Don Quixote, or Evgenie Pavlovitch, or someone else, but you certainly said these words, and afterwards there was a long conversation...”

And so they parted.

“Because he _didn’t_ exist--never could and never did--there! You’d better drop the subject, I warn you!”

The prince had heard himself referred to as “idiot,” and had shuddered at the moment; but his shudder, it so happened, was not caused by the word applied to him. The fact was that in the crowd, not far from where he was sitting, a pale familiar face, with curly black hair, and a well-known smile and expression, had flashed across his vision for a moment, and disappeared again. Very likely he had imagined it! There only remained to him the impression of a strange smile, two eyes, and a bright green tie. Whether the man had disappeared among the crowd, or whether he had turned towards the Vauxhall, the prince could not say.
“No, I have never known her.”