The prince was given the middle room of the three, the first being occupied by one Ferdishenko, while the third was empty.
“Yes, it is serious for a poor man who lives by his toil.”

He awaited the reply in deadly anxiety.

“Well, I’ll tell you,” said the prince, apparently in a deep reverie.

It was the first time they had met since the encounter on the staircase at the hotel. “Well, very well, very well!” she said, but quite in a different tone. She was remorseful now, and bent forward to touch his shoulder, though still trying not to look him in the face, as if the more persuasively to beg him not to be angry with her. “Very well,” she continued, looking thoroughly ashamed of herself, “I feel that I said a very foolish thing. I only did it just to try you. Take it as unsaid, and if I offended you, forgive me. Don’t look straight at me like that, please; turn your head away. You called it a ‘horrible idea’; I only said it to shock you. Very often I am myself afraid of saying what I intend to say, and out it comes all the same. You have just told me that you wrote that letter at the most painful moment of your life. I know what moment that was!” she added softly, looking at the ground again.
“Of course, naturally. The bridegroom is an impossible and ridiculous one. I mean, has _she_ given her formal consent?”

But a moment or two afterwards he began to glance keenly about him. That first vision might only too likely be the forerunner of a second; it was almost certain to be so. Surely he had not forgotten the possibility of such a meeting when he came to the Vauxhall? True enough, he had not remarked where he was coming to when he set out with Aglaya; he had not been in a condition to remark anything at all.

“You have no sort of right to suppose such things,” said Lebedeff’s nephew in a tone of authority.
“Lizabetha Prokofievna is in a really fiendish temper today,” she added, as she went out, “but the most curious thing is that Aglaya has quarrelled with her whole family; not only with her father and mother, but with her sisters also. It is not a good sign.” She said all this quite casually, though it was extremely important in the eyes of the prince, and went off with her brother. Regarding the episode of “Pavlicheff’s son,” Gania had been absolutely silent, partly from a kind of false modesty, partly, perhaps, to “spare the prince’s feelings.” The latter, however, thanked him again for the trouble he had taken in the affair.

We may add that to a business man like General Epanchin the present position of affairs was most unsatisfactory. He hated the uncertainty in which they had been, perforce, left. However, he decided to say no more about it, and merely to look on, and take his time and tune from Lizabetha Prokofievna.

“It is very painful to me to answer these questions, Lizabetha Prokofievna.”

The prince gazed at it for a minute or two, then glanced around him, and hurriedly raised the portrait to his lips. When, a minute after, he reached the drawing-room door, his face was quite composed. But just as he reached the door he met Aglaya coming out alone.

“I know nothing about Evgenie Pavlovitch!” said the prince.

“Oh, Aglaya--perhaps you cannot understand all this. Try to realize that in the perpetual admission of guilt she probably finds some dreadful unnatural satisfaction--as though she were revenging herself upon someone.

“Unpleasant! Indeed it is. You have found a very appropriate expression,” said Lebedeff, politely, but with sarcasm.
“I believe so; but I’m not sure.”
“Ha, ha! Then you are afraid you _will_ wave your arms about! I wouldn’t mind betting that you’ll talk about some lofty subject, something serious and learned. How delightful, how tactful that will be!”
“Ah, ah! here’s the climax at last, at half-past twelve!” cried Nastasia Philipovna. “Sit down, gentlemen, I beg you. Something is about to happen.”
“I’ll tell you what!” cried Rogojin, and his eyes flashed fire. “I can’t understand your yielding her to me like this; I don’t understand it. Have you given up loving her altogether? At first you suffered badly--I know it--I saw it. Besides, why did you come post-haste after us? Out of pity, eh? He, he, he!” His mouth curved in a mocking smile.

“‘Lumen caeli, sancta Rosa!’ Shouting on the foe he fell, And like thunder rang his war-cry O’er the cowering infidel.

Nastasia occupied a medium-sized, but distinctly tasteful, flat, beautifully furnished and arranged. At one period of these five years of Petersburg life, Totski had certainly not spared his expenditure upon her. He had calculated upon her eventual love, and tried to tempt her with a lavish outlay upon comforts and luxuries, knowing too well how easily the heart accustoms itself to comforts, and how difficult it is to tear one’s self away from luxuries which have become habitual and, little by little, indispensable.
“How so? What in?”
“Gentlemen!” said Hippolyte, breaking off here, “I have not done yet, but it seems to me that I have written down a great deal here that is unnecessary,--this dream--”
“What is it then, for goodness’ sake?”
“At all events, you’ve disbanded your troop--and you are living in your own house instead of being fast and loose about the place; that’s all very good. Is this house all yours, or joint property?”

“Yes, a candle! What’s there improbable about that?”

“I love these arguments, prince,” said Keller, also more than half intoxicated, moving restlessly in his chair. “Scientific and political.” Then, turning suddenly towards Evgenie Pavlovitch, who was seated near him: “Do you know, I simply adore reading the accounts of the debates in the English parliament. Not that the discussions themselves interest me; I am not a politician, you know; but it delights me to see how they address each other ‘the noble lord who agrees with me,’ ‘my honourable opponent who astonished Europe with his proposal,’ ‘the noble viscount sitting opposite’--all these expressions, all this parliamentarism of a free people, has an enormous attraction for me. It fascinates me, prince. I have always been an artist in the depths of my soul, I assure you, Evgenie Pavlovitch.” Yet Aglaya had brought out these letters N. P. B. not only without the slightest appearance of irony, or even any particular accentuation, but with so even and unbroken an appearance of seriousness that assuredly anyone might have supposed that these initials were the original ones written in the ballad. The thing made an uncomfortable impression upon the prince. Of course Mrs. Epanchin saw nothing either in the change of initials or in the insinuation embodied therein. General Epanchin only knew that there was a recitation of verses going on, and took no further interest in the matter. Of the rest of the audience, many had understood the allusion and wondered both at the daring of the lady and at the motive underlying it, but tried to show no sign of their feelings. But Evgenie Pavlovitch (as the prince was ready to wager) both comprehended and tried his best to show that he comprehended; his smile was too mocking to leave any doubt on that point.

The incredulous amazement with which all regarded the prince did not last long, for Nastasia herself appeared at the door and passed in, pushing by the prince again.

“Away, out of the way!” cried Nastasia. “Make room, all of you! Gania, what are you standing there for? Don’t stand on ceremony. Put in your hand! There’s your whole happiness smouldering away, look! Quick!”

“But wait,” said Nastasia. “How is it that, five or six days since, I read exactly the same story in the paper, as happening between a Frenchman and an English girl? The cigar was snatched away exactly as you describe, and the poodle was chucked out of the window after it. The slapping came off, too, as in your case; and the girl’s dress was light blue!”

Exclamations of horror arose on all sides. The prince grew pale as death; he gazed into Gania’s eyes with a strange, wild, reproachful look; his lips trembled and vainly endeavoured to form some words; then his mouth twisted into an incongruous smile.

“And what can I do for you, esteemed prince? Since I am told you sent for me just now,” he said, after a few moments’ silence.
The general was much astonished.
“I asked how it came about that the tureen had been left. Nikifor explained that the old lady refused to give it up, because, she said, we had broken her bowl, and she must have our tureen in place of it; she had declared that I had so arranged the matter with herself.

The prince made no reply.

This confidence of a stupid man in his own talents has been wonderfully depicted by Gogol in the amazing character of Pirogoff. Pirogoff has not the slightest doubt of his own genius,--nay, of his _superiority_ of genius,--so certain is he of it that he never questions it. How many Pirogoffs have there not been among our writers--scholars, propagandists? I say “have been,” but indeed there are plenty of them at this very day.
“No, Tver,” insisted the general; “he removed just before his death. You were very small and cannot remember; and Pavlicheff, though an excellent fellow, may have made a mistake.”